
Testing posting from my ASUS Eee Pad.
WordPress for Android scales up nicely on the tablet.

Testing posting from my ASUS Eee Pad.
WordPress for Android scales up nicely on the tablet.
Just a quick note to say that Turning 13 won some awards at the recent Fudge Awards night in the Mooring in Aberdeen. They won best Punk act (yeah go figure…) and were joint first with Which Way Now for Best Live Act. Well done to the guys! Keep up the good work and looking forward to the year ahead working with them.
http://www.aberdeen-music.com/forums/fudgenet/
http://www.myspace.com/turning13
Following the release of their critically acclaimed debut EP in late 2007 The Foxes hit the road with Yeti for a 30 date UK Tour in early 2008. Following a year of almost constant touring encompassing the UK, Germany, and the Czech Republic, the band released their debut single “Trauma Town” in October 2008 on 7” vinyl and download which entered the UK Indie Charts at No. 9. Their second single, “Bill Hicks”, was released on CD, Download and limited edition 7” Vinyl on March 16th 2009, and reached no.6 in the UK Indie Singles Chart, while the single “Lover, Killer” was released on 3rd August to critical acclaim. Their brand new EP, “Depression, Joy and a Moment of Fame” produced and mixed by John Cornfield (Muse, Oasis, Razorlight) and mastered by John Davis (U2, Led Zeppelin, Arctic Monkeys) is out in April 2010.
The Foxes are currently in the studio putting the final touches on their debut album.
The Foxes – Get Me
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Turning Thirteen – a dynamic four-piece Aberdeen band whose debut single, ‘String She Pulled’, is packed with enormous riffs, moods that flit from light to shade, and impassioned vocals, are powering out of their hometown to take on the world. The seeds of Turning Thirteen were sown when front man Steve Bruce and his brother Jeff decided, united by a love of music, to start something that was unique to the their corner of Scotland. Since those early days, they have evolved into one of Scotland’s most exciting new rock bands with sweet melodies twisted with a heavy crunch and shades of hardcore punk. Following the success of the self- financed mini album ‘Baby Puzzles’ (2006), show-stopping support slots with ‘Biffy Clyro’, like-minded Brit rockers ‘Hundred Reasons’ and more recently Welsh rock band ‘Future Of The Left’ and The Eighties Matchbox B-line Disaster, the band were approached by several Scottish indie labels for a debut release. Choosing to stay true to their musical roots Turning Thirteen headed into the studio to record their debut single ‘String She Pulled’ with established Aberdeen label Fat Hippy Records.
Turning13 are poised for greatness. The group of fans who once held them as their own little secret is growing like wild fire, the word of mouth buzz about their intense live shows and fresh sound is getting louder everyday… and as for Turning Thirteen’s state of mind and love of music, they’ve been sure for as long as they have been playing together that this is what drives them!
Turning Thirteen ‘String She Pulled’ out Mon 29th March available from various record shops and on iTunes, Napster, hmv.com, play.com, eMusic etc
Turning 13 – Twenty Eight
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Midas announced the launch of PRO9, a new addition to its PRO Series of digital audio systems that includes the simultaneously-launched PRO3 and the well-established
PRO6. The entire PRO Series can be seen on Booth C6650 at InfoComm.
PRO9 tops the Midas PRO Series, featuring a massive 88 channel input count and 35 buses, with the dual stage boxes offering placement flexibility up to 200m apart and 500m from the FOH position.
The PRO9 benefits from the full range of Midas I/O box options, including the newly-launched DL251 fixed format stage box and the highly acclaimed DL431 24 channel 5-way mic splitter offering three mic preamps per channel and dual digital network connections, both with full redundancy. The range also includes the new Klark Teknik DN9650 digital format converter offering connectivity to many different digital protocols, including MADI and Dante.
The Midas PRO9 comes complete with the features that have been made popular by established Midas digital systems, the XL8 and the PRO6. This includes the successful VCA and POPulation groups, which allow users to navigate channels intuitively, without the hindrance of layers or pages of faders. It will of course feature the legendary and much-loved Midas sound characteristics, which have their roots in the classic Midas analogue boards. The PRO9 also benefits from the same comprehensive choice of effects and dynamics processing as the PRO6 and XL8, including the much-acclaimed XL8 compressor options. Expandable modular connectivity means the system can be upgraded to meet most applications.
“All the new systems use exactly the same technology and components as the XL8 and PRO6,” says John Oakley, managing director of Midas Klark Teknik. “This is a perfect example of the way our highly advanced networked audio strategy allows us to bring new products to the market very quickly. The new PRO Series products, PRO3 and PRO9, offer both easier affordability and increased capacity while remaining true to the brand values.”
Adds Richard Ferriday, brand development manager for Midas and Klark Teknik, “Midas customers can now gain additional benefits from our open-architecture approach to system design and our modular hardware implementation. The new PRO Series additions, PRO3 and PRO9 offer both easier affordability and increased capacity while remaining true to the brand values.”
* Classic Midas sound
* Sample-synchronous audio quality – all audio time and phase coherent
* Daylight-viewable screens
* 24 bit, 96kHz sampling
* 192 x 192 channel bi-directional snake included
* Up to 288 inputs and 294 outputs patched and routed on a scene-by-scene basis
* IEM-safe low latency
* Dual solo busses for in-ears and wedges
* ‘Area B’ for quick, easy access to selected inputs

Just testing the wordpress for android app ahead of some dates with Turning 13.
Seems that more text needs to be used to avoid screwing up the Share facility.
Blah Blah Blah
Sennheiser UK has appointed veteran Front of House engineer Dave Wooster to the role of live sound specialist. This newly formed position is the result of the company identifying the value of employing a live sound professional with first class knowledge and up-to-date field experience to work alongside its customers. “My aim is to demonstrate
UK: Midas’s John Oakley tells PSN-e that, after ten years, the Heritage range is “moving to a long and happy retirement”. The most successful range of large-format analogue mixing consoles in Midas’s history, the Heritage range is being retired in line with the manufacturer’s normal policy of a 10-year life cycle.
Midas assures that it will continue to service and support the Heritage range “for many years to come”.
John Oakley (pictured), MD of Midas/Klark Teknik, tells PSN-e: “Several thousand Heritage consoles have been sold over the last 10 years and the Heritage 3000, in particular, has become the industry standard large format mixing console. It is not possible to visit a major festival without finding Heritage 3000s on many of the stages! Indeed, the demand for classic Midas analogue consoles is still so strong that we are now able to offer a limited number through our Approved Used Console Programme. This guarantees the incomparable mixing experience that you expect from any Midas. Each console is scrutinised to guarantee peace of mind. In addition, factory warranties are available for those who want the ultimate peace of mind.”
Oakley identifies the PRO6 digital console as “the natural successor” to the Heritage 3000, with more than 250 PRO6s now in regular use worldwide. “The PRO6 is selling even faster than the Heritage did after its launch,” he says. “Midas Heritage consoles are renowned for sonic excellence and that classic ‘Midas sound’. Independent testing has confirmed that the PRO6 has captured and even exceeded that gold standard of sound quality. In addition, the mic amps included in the Midas digital range have been further ‘tweaked’ to improve sonic excellence and musicality, especially during transient overload conditions where Midas mic preamps excel. For anyone wishing to hear the Midas digital audio quality for themselves and try out the phenomenal VCA/POP group control system, Midas is providing demo facilities and training in several locations around the world. See [our website, link below] for details.”
There are no plans to discontinue any of the other analogue products at the moment.
Reproduced from Pro Sound News Europe
In a move that will come as a surprise to many, Midas and Klark Teknik, the UK-based brands owned by Bosch Communications Systems, have been acquired by the Music Group, writes Dave Robinson. This newly formed hodling company owns the Behringer brand as well as a number of other associated companies. It is managed by Uli Behringer and Michael Deeb
The sale of Midas and Klark Teknik is part of an asset deal and an agreement to this effect was signed on 8 December 2009. The sale is subject to regulatory approval, while acquisition price and terms have not been disclosed. The deal is scheduled to be completed by 31 January 2010.
Currently 106 associates work for Midas and Klark Teknik. According to the statement issued by Midas/Klark Teknik: “All [106] will be transferred to the Music Group. The Midas and Klark Teknik brands will be continued.”
Robert Mulatz, senior VP of Bosch Communications Systems, admits that the brands did not really fit comfortably within the Bosch portfolio: “Midas and Klark Teknik have always epitomised the highest possible performance and reliability in the mixing console and signal processing markets. Within the professional audio business of Bosch this niche market has not been defined as a core business area due to its size and specific requirements. We believe that in the Music Group we have found both the passion and the financial ability needed to grow Midas and Klark Teknik. Among all potential buyers that have been screened, we have selected the Music Group as the best fit.”
Uli Behringer, chairman of the Music Group sees the arrangement as a two-way street: “I am thrilled… to join with John Oakley and his team in taking these legendary brands forward. I have immense respect for the dedication to quality, performance and customer service that this team has shown consistently over the years. While we plan to invest considerable resources and support to these brands, we also look forward to learning from the achievements of their engineers and working with them to get Behringer to a new level.”
Music Group CEO Michael Deeb confirms this: “Midas and Klark Teknik are at the very pinnacle of their market segment. They address a very unique [sic] client base and fulfilment requirement and have a very different sales channel from our current core business. They will continue to operate autonomously under the leadership of John Oakley. However, Midas and Klark Teknik will have full access to the group’s extensive resources and advanced automated system platforms in areas such as product development and lifecycle management, supply chain, logistics, decision support and finance.”
Alex Cooper, Midas director of console engineering, added: “It has always been a challenge to achieve the very best performance at a price that the market can afford. The temptation is to cut corners, but that has never been, and will never be the Midas way. I am convinced that working with the Music Group will provide us with advantages that will help us maintain our high standards for the long term.”
…but, fortunately, a blazing Edward Woodward is nowhere to be seen. Taking place close to locations made famous by the similarly titled 1973 film, the Wickerman Festival is widely regarded as one of the UK’s most eclectic live music events, reports David Davies.
The image of Edward Woodward’s character, Sergeant Neil Howie, being forced into an enormous wicker statue which is then set aflame to the strains of traditional English folk song Sumer Is Icumen In is one of the most haunting in contemporary British film. The denouement to seminal 1973 movie The Wickerman, it has proven to be a touchstone for subsequent generations of filmmakers keen to scare the bejesus out of their audiences without reverting to blood-stained horror film cliché.
However, the film’s influence has extended far beyond the multiplex, permeating popular culture at every level. It seemed a logical move, therefore, when in 2002 the film’s title was evoked for a new event to be held in Scotland near Dundrennan – an area that provided locations for some of the movie’s most memorable scenes.
Seven years later, the festival’s reputation for music, cinema, comedy and more continues to grow. The Magic Numbers, The Zutons, Idlewild and Billy Bragg were among the headliners at the 2009 event, which saw Banchory-based company Taylored Sound assume audio responsibilities for all but one stage.
In a shift from the general policy in previous years, Taylored Sound opted to employ point source loudspeakers across all of its stages. As a rental network partner of Funktion-One, the manufacturer’s Resolution Series equipment figured prominently in the final specification. The main stage system featured 20 RES5s, 10 RES4Ds, two RES4s, 10 F221s and two F218s, with further F218s and RES4s specified alongside Global Acoustic wedges and subs for monitoring purposes. The second stage setup, meanwhile, was structured around a quartet of RES4s and eight F218s.
“We use point source because line arrays just don’t work in windy conditions outside,” explains Nick Taylor, director of Taylored Sound, matter-of-factly. “In Scotland, we have to deal with a lot of bad weather! We’ve listened to many festival stages over the past few years, and have found that the sound has been dreadful because of the wind throwing it about. With point source you still get the effect, but it is greatly reduced compared to line arrays. It is important for us that the audience gets the best audio experience possible for their money.” Taylor goes on to describe the Funktion-One Resolution series as “a great system – we’re really pleased with it”.
Providing a manufacturer viewpoint, Funktion-One’s Tony Andrews notes that “it is well-known that line arrays work by mutual interference of the constituent drivers. It is also known, but rarely stated, that their susceptibility to combing and ‘phasing’ in the lightest of winds is an undesirable side effect of this mutual interference. A horn-loaded point source array such as the Resolution 5s is hardly affected at all by the strongest of winds because at the critical frequencies the constituent horn-loaded drivers are working as a singularity, completely avoiding interference issues.”
In most cases, Taylored complemented its Funktion-One boxes with its usual preferred MC2 Audio amplifiers, although the company did trial some Powersoft K6 power amplifiers on the second stage (“they were great – very transparent-sounding”, says Taylor). In the main, processing was provided by XTA DP448 processors, while consoles included a Midas XL4 and two Yamaha PM5Ds at the main stage, and a Midas Heritage and Yamaha LS9/32 mixer at the second stage. Logic System Bi-amp wedges and an EAW drum-fill were also part of the second stage-monitoring set-up.
With a cluster of other festival commitments and one-offs on the summer agenda – including Imagine Scotland and Inverness’ Belladrum Festival – Taylor admits that he has not had much opportunity to catch up with the Wickerman team post-event. However, festival spokesperson Caroline McCleary confirms to PSNE that the organisers “were very, very happy with the sound. We have also received a lot of positive comments from audience members, which is very pleasing indeed.”
www.funktion-one.com
www.tayloredsound.co.uk
www.thewickermanfestival.co.uk
Reproduced from Pro Sound News Europe